Editors---we all need them. We want to please them,
but sometimes, we butt heads.
To help sort out this relationship, I've invited Liz
Borino, author and editor, to answer a few questions.
Celeste
Jones: Liz, please
tell us a bit about yourself.
Liz
Borino: I’m an author and editor for Lazy Day who spends
far too much time in her head.
Celeste
Jones: I know you are both a writer and an editor, but
today I'd like to focus on your skills and experience as an editor. Can you
tell us a bit about what an editor does and what it's reasonable to expect an
editor to do? Are there different types of editors?
Liz
Borino: I’ll start with the second question. The types of
editors vary by publisher, but most manuscripts need at least one round of
content editing and one round of line editing. Content editing includes identifying
problems with plot and character continuity – as well as likeability – timeline
issues, point of view inconsistency, and general plot concerns. Whereas line,
or copy, editing focuses on grammar, repeated words, and punctuation. Both are
important, but people generally advise starting with content edits and then
moving to copy edits. I don’t disagree with this suggestion. However, it’s
nearly impossible for me to see problematic copy and not want to edit, so I end
up always doing a little bit of both. As far as reasonable author expectations
go, an editor identifies problems and can offer suggestions. BUT they are not
obligated to fix the content issues. They’ll likely point out when an author
has head hopped, but that doesn’t mean they will go through and fix the
paragraphs to make them consistent with the majority of the manuscript.
Celeste
Jones: Has editing
ruined reading for you? Are you able to read without wanting to make
corrections?
Liz
Borino: Celeste, between graduate school and my job as an
editor I can’t exist in the world, much less enjoy entertainment properly
without wanting to make corrections. Here’s a perfect example, I saw the
fabulous Broadway musical, Kinky Boots, back in November. Fun music, great
acting, unique storyline – everything you’d ever want in Broadway.
Unfortunately, I could not stop picking. Example, the play begins with the main
character telling his father repeatedly that he has no interest in running the
family shoe factory. Then, he becomes incredulous that his father sold the
factory before he died! While everyone else was bouncing to the music, all I
could think was, “He finally listened and now you’re complaining! What is wrong
with you?” Yes, I have problems. If anyone is curious, these are the two songs
I was referring to: “Price and Sons”
and “Everybody
Say Yeah.” Of course this nit-picking extends to other
people’s books. Not to mention the headaches reading status updates can
produce.
Celeste
Jones: What are some of your pet peeves as an editor?
Liz
Borino: Head hopping, repeated words, and unrealistic
situations/characters.
Celeste
Jones: I know you
work for Lazy Day, so you've probably edited some of my work. Is that ever a
little awkward---editing for people you "know"?
Liz
Borino: It can be, but as long as everyone remains
professional – which Lazy Day authors are known for – it’s not an issue.
Celeste
Jones: Please share your thoughts as an editor on the use
of the following:
Exclamation
marks: To be used mainly in dialogue.
Was:
A classic sign of passive voice, which is not as evil as people make it out to
be, but authors should use it with caution.
-ing
words: Good way to vary the beginning of sentences. Also
to be used with caution.
Dialogue
tags:
Oh god. I struggle with these. The best rule I can come up with is if two
characters are speaking to each other, establish the order, and then use
sparingly.
Celeste
Jones: How has your work as an editor improved your
writing?
Liz
Borino: Working as an editor has improved my writing more
than any other single thing I have done. Learning to identify other author’s
mistakes has made me more conscientious of my own weaknesses.
Celeste
Jones: How do you tell someone their story stinks without
stepping on their toes?
Liz
Borino: Um… very carefully. I give reasons for all my
suggestions. That way, the author is better equipped to understand my logic and
make their own judgment call.
Celeste
Jones: What sort of feedback do you give your employers
about the quality of the books you are editing? Or do you just edit and send
them off to be returned to the writer?
Liz
Borino: I give the publisher very detailed analyses of the
quality and major problems I found.
Celeste
Jones: If you could only give one or two bits of advice
to writers, what would it be?
Liz
Borino: Try to find
an editor who respects your style, story, and voice. After you’ve found them,
please listen.
Thank you, Liz!
Liz's DD M/M romance, No Flag, will be .99 from2/19-2/26!
Blurb: For
Mike and Will, "No Flag" meant "come home alive", but will
their love survive what happens next?
Captain Mike Kelley does not ignore his intuition, so when sexy bartender Will Hayes
captures his heart, Mike embarks on a mission to win him over to a Domestic
Discipline relationship. Will accepts with one caveat: Mike must promise not to
renew his Army commission. Mike agrees, and they spend a year building a life
together, getting married, and starting a business.
Only days before their café's grand opening, Mike receives news that threatens
everything he and Will have built. The Army invokes the Stop Loss military
policy to involuntarily extend his commission and send him back overseas. Will,
left alone to cope with the café, must rely on the support of old friends who
may be no longer be trustworthy. Through emails and Skype calls, Mike and Will
keep their love and structure alive...until the day a horrific terrorist attack
occurs on Mike's outpost.
Mike awakens in a hospital with a devastating injury and no his memory of the
attack. As the only survivor, Mike's memory may be the key to national
security. Mike struggles to cope with his injury and Will struggles to support
the man who always held him up. Both fear they have lost their previous
relationship. Will has Mike back rather than a folded flag, but in the
aftermath of war, can they rebuild the life they had before? Especially when
those closest to them may not have their best interests at heart? Amazon